Pink Linen For Upholstery & Curtains
Posted: 26 February, 2013 Filed under: contemporary interiors, Curtain Fabric, Domestic Fabric, home decor, interior, interior design, interior designer, interiordesign, interiors, Market Comment, modern homes, modern interiors Leave a comment »
Pink linen is a rather rare and unusual flower. Not often specified in your average interior designer’s scheme. I found this scan that we had emailed someone recently for the client to choose for some curtains. We were even able to introduce different pinks into the warp and weft of the linen for an unusual effect. (We can do that with most of our linen colours).
Anyway, I just thought the pink linen image looked nice and I wanted to share it with you!
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Silk Velvet – What makes a great upholstery velvet
Posted: 22 February, 2013 Filed under: Domestic Fabric, Fabric Tips, home decor, interior, interior design, interior designer, interiordesign, interiors, modern homes, modern interiors, Upholstery, Upholstery Fabric | Tags: Black Velvet, silk, velvet Leave a comment »Silk Velvet really is one of the great upholstery velvets. It looks great, it feels great and it can be up to the job if your upholstery velvet is chosen wisely.
If your last and only experience of a velvet was sitting on one in the cinema then you really haven’t lived!
Firstly let’s look at silk velvet’s suitability for upholstery. It can have a Martindale Rub Test result of over 20,000 – so it CAN be readily suitable for many upholstery uses.
Composition. Just because it is sold as 100% silk can be misleading and not necessarily relevant. Is this 90% silk velvet better than that 100% silk velvet? You just can’t answer that by simply looking at the composition.
A silk velvet that is sold as being 100% silk may in fact be a 100% silk velvet pile and 100% cotton backcloth. There is nothing inherently wrong with that. If it is the look and feel of the silk that you are looking for then maybe it’s best to just consider the pile (assuming the backcloth is up to the job of course). One of our fine silk velvets has a 100% pile and then a backcloth of silk and cotton – with the cotton being added for strength and the overall silk content being 90%. Compare this to our Italian Silk & Cashmere Velvet which has a 70% silk + 30% cashmere pile.
Next look at the silkiness or the shininess. If you are looking for a silk velvet you will usually want a shine.
Consider too the length of the pile. Again, there is nothing inherently good or bad about a long or short pile. A shorter pile may be more rigid and upright and that could be a characteristic that you are looking for. Alternatively a longer pile will probably lay better in one directions – and you may well want that characteristic.
The weight of the fabric in grams per metre is often used as a measure of quality. That is not always true and could, for example, easily be distorted by a heavy and poor quality backcloth.
My personal preference would be to get my hand on a sample; feel it and look at it. What I look for and prefer is a slightly more rigid and consistent pile with a very dense weave. I would look carefully at the country of manufacture. I prefer an Italian velvet (mainly because it sounds better!) but if not Italian then I would certainly only consider a velvet produced in mainland western Europe. But don’t copy me, have the confidence to choose what you like – you are going to have to live with it. I would now choose my upholsterer carefully; many years ago a velvet covered chair came back for me from a local upholsterer and the pile was not running in a consistent direction…it didn’t look great (read ‘awful’). So don’t, like me, assume that all upholsters know what they are doing with velvets, they patently don’t all know. I would then read our guide to upholstering with velvet – a designer’s worksheet and armed with a bit of knowledge quiz your upholsterer carefully.
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How to create a BAD (digital) first Impression? For Interior Designer
Posted: 22 January, 2013 Filed under: home decor, interior, interior design, interior designer, interiordesign, interiors, modern homes, modern interiors, The Business Of Interior Design | Tags: ideas for designers, interior design, interior designer, Internet marketing, Marketing, sales and marketing in interior design 2 Comments »9 Ways for interior designers to create a bad impression – digitally of course!
When you first present to your newest prospect I’m pretty sure that you will be wearing your best ‘business’ clothes. When you first speak to a new client I’m sure you will make a real effort to do your best. When you send out a brochure or some other paper based literature I’m sure you will have it looking good. Hopefully too you take first emails seriously. And yes I’m sure your website looks great as well.
So all is hunky dory right? you can stop reading now and move on
Well firstly, before I get into the meat of the subject matter that drew you here, I suggest that one exercise you can do on a Friday afternoon is to write down EVERY single TYPE of point of contact that you make with clients. I’ve gone through a few of them in the opening to this post. No rocket science there. However what I suggest you do is really think if they all present a coherent view, when taken together, of you and your business. Do they look similar enough and do they say similar things and present similar images?
Just like that fine evening wear you have to impress on really special occasions and turn heads as you walk in the room all these points of contact between your business and your potential client are the same thing FOR YOUR BUSINESS (business? you know that thing that pays for the evening wear).
Well I’m going to talk a little about how to create a BAD digital first impression focussing on your website. So You need to look at the first page that people most often go to. In techie terms these are ‘landing pages’; they might include your home page or any special page that Google Adwords points to on your site or any page of yours that ranks particularly highly and get a lot of ‘hits’.
So to create a BAD first impression here’s what your landing pages need to do:
- No Graphics: No logo, no head-shot of a smiley-you and certainly NOT clickable.
- Poor Content: Be sure to include waffle and irrelevance to the reason that drew the click..
- Lots of words and certainly no Bullet Points as bullet points are too easy to read.
- No Call to Action – an even better bad impression can be created if you make it as obscure as possible for the visitor to know what to do next. Perhaps presenting a beautiful image but making it as annoying as possible by adding some music and not making it obvious how to proceed to ANYWHERE else – Designers’ websites are OFTEN like this!
- White Papers, Videos, Registrations, etc: OK you might have accidentally put some of these on your website to be helpful but you can soon change any good impression that that might make by giving them away without even getting the visitor’s email.
- Confirmation/Thank You Pages: How rude! you forgot to add one of these and to make matters worse it didn’t offer the visitor another idea of what they could do on your site.
- Testing changes you make might improve a visitor’s experience to your site. So you certainly don’t want to do that..
- Google: create a bad impression with google as well. Ideally you will name your pages PAGE01, PAGE02 and so on. Never include keywords in the name of a page as that might help Mr Google do his job.
- Speling mstakes. Sme ppl really hate splling mistakes and abbreviations. Include a few to enrich their day.
- Always fail to deliver. Like by having 10 reasons rather than the advertised 9 reasons. Laugh! We might but our client’s probably won’t.
Am I perfect? No! Do I make these mistakes? Yes of course. It does provide some food for thought though.
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Interior Designers: Must Blog Better – But How?
Posted: 11 December, 2012 Filed under: home decor, interior, interior design, interior designer, interiordesign, interiors, modern homes, modern interiors, The Business Of Interior Design | Tags: ideas for designers, interior design, interior designer, Internet marketing, Marketing, sales and marketing in interior design, Small business 1 Comment »The content Marketing Institute created that nice little image up there that shows what a content mix might be.
This image has been bandied about on various websites as THE correct mix. It isn’t THE correct mix but it’s a good starter to make you think. It might make you think you are entertaining your potential clients too much or it might make you think you are being a bit boring talking about kitchen worksurfaces a little too much.
For a start it’s saying that you should blog 6 times a week or at least create content 6 times a week. For small businesses that just ain’t gonna happen in the real world.
However it certainly DOES give you ideas about what to write next.
Provide relevant information: Perhaps contribute to a thread somewhere telling people about some of the great things you learnt with a particular product on your last project.
Teach: Show you really know what you are talking about. Share some knowledge in an authoritative way on how you do your job.
Start a conversation: Perhaps on a LinkedIn group or your Facebook business page.
Inspire: others to do better. This could be on a forum or your could write something.
Entertain: Never hurts to make someone laugh.
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More Black Faux Leather Upholstery
Posted: 4 December, 2012 Filed under: Contract Fabric, Domestic Fabric, home decor, interior, interior design, interior designer, interiordesign, interiors, modern homes, Re-Blogs, Upholstery, Upholstery Fabric | Tags: Artificial leather, black faux leather upholstery, faux leather, Leather and Fur, Textiles and Nonwovens, Upholstery 4 Comments »Faux Leather is great for upholstery. Here is a time lapse video of the full process if you want to know how it is done. We would be happy to point you to a local upholsterer but please remember that we only sell the faux leather upholstery fabric. If you would like samples please drop us an email request <here> (trade only). We have several collections of faux leather in most colourways including base colours (black, brown, green, blue, red, yellow, gold) muted neutrals and metallic finishes.
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A-Z Interior Fabric Qualities
Posted: 20 November, 2012 Filed under: Fabric Design, Production & Details, Fabric Tips, home decor, interior, Product Comments | Tags: cotton, Dupioni, Jacquard loom, Plain weave, Textile, Textiles and Nonwovens, Warp, wool, Yarn 4 Comments »A-Z Glossary or Guide of fabric qualities
A
American Cotton
Cotton of medium fineness and medium staple length.
Alpaca Angora
Natural hair from the alpaca, or animal from which the fibre alpaca is obtained.
Angora
Hair fibre from the angora rabbit.
B
Batiste
Fine, soft,plain weave fabric. Originally linen, now other fibres, eg cotton.
Blend
Combination of two or more different fibres within the same yarn. This can be for cost, properties and/or appearance.
Birds-eye
Colour-and-weave effect where the pattern shows small, uniform spots. The reverse side of a flat jacquard weft knitted fabric where the yarns are arranged to show minimum amounts of each colour in an all-over pattern.
Bouclé yarn
Fancy yarn showing an irregular pattern of curls or loops.
Bourrelet
Non-jacquard double jersey weft knit structure made on an interlock basis showing horizontal ridges on the effect side.
Brocade
Figured woven jacquard fabric, usually multicoloured, much used for furnishings.
Buckram
Plain weave fabric, generally of linen or cotton, which is stiffened during finishing with fillers and starches. Uses include interlinings and bookbinding fabrics.
C
Calico
General term used for plain cotton fabrics heavier than muslin. These are usually left unbleached, area made in a variety of weights, and are often used for making toiles.
Cambric
Lightweight, closely woven, plain weave fabric, usually made from cotton or linen.
Canvas
Strong, firm, relatively heavy and rigid, generally plain woven cloth traditionally made from cotton, linen, hemp or jute.
Cavalry twill
Firm woven fabric with a steep twill showing double twill lines, traditionally used for riding breeches and jodphurs.
Chambray
Lightweight, plain weave cotton cloth with a dyed warp and a white weft.
Cheesecloth
Open, lightweight, plain weave fabric with a slightly crêpey appearance, usually made from carded cotton yarns with higher than average twist.
Chenille yarn
Fancy yarn produced by weaving a leno fabric and cutting into warp-way strips so that each strip forms the yarn, which has a velvety, caterpillar-like appearance.
Chiffon
Originally a very lightweight, sheer, plain weave fabric made from silk. Now can also be used to describe a similar fabric using other fibres.
Chiné yarn
Originally a 2-fold yarn, one black, one white, giving a regular two colour effect. Term now used to describe any 2-fold, two colour yarn.
Chintz
Closely woven, lustrous, plain weave cotton fabric, printed or plain, that has been friction calendered or glazed. Much used for curtainings and upholstery.
Coir
Natural vegetable fruit fibre from the coconut.
Colourway
One of several combinations of colours used for a particular fabric.
Corduroy
Wove, cut weft-pile fabric where the cut pile runs in vertical cords along the length of the fabric. A number of different types are found, ranging from pincord (very fine cords) to elephant cord (very broad cords).
Crepe
Fabric characterised by a crinkled or puckered surface, which can be produced by a number of methods. 1. woven fabric where short, irregular floats in warp and weft are arranged to give an all-over, random pattern within the weave repeat. 2. woven or knitted fabric where the crêpe characteristics are achieved mainly by the use of highly twisted yarns, which in finishing develop the crinkled, puckered appearance of a crêpe. 3. fabric where the crêpe effect is produced in finishing by treatment with embossing rollers, engraved with a crêpe pattern, which impart a crêpe effect onto the fabric through heat and pressure.
Crêpe de chine
Lightweight, plain weave crêpe fabric, made with highly twisted continuous filament yarns in the weft, alternating one S and one Z twist, and with normally twisted filament yarns in the warp. The crêpe effect is relatively unpronounced.
Crepe yarn
Spun or filament yarns that are very highly S or Z twisted used for the production of crepe fabrics.
D
Delaine
Lightweight, printed, all wool plain weave fabric.
Doupion (or Dupion)
Silk-breeding term meaning double cocoon, used to describe the irregular, raw rough silk reeled from double cocoons.
Drill
Woven twill fabric with a similar structure to denim, but usually piece-dyed.
E
Egyptian cotton
Type of cotton characterised by long, fine fibres.
G
Gauze
Lightweight, open-textured fabric made in plain weave a simple leno weave.
Georgette
Fine, lightweight, plain weave, crêpe fabric, usually having two highly twisted S and two highly twisted Z yarns alternately in both warp and weft.
H
Hopsack
Variation on plain weave, where two or more ends and picks weave as one. Sometimes called basket weave.
I
Indian cotton
Type of cotton characterised by relatively short, coarse fibres.
Interlining
Fabric used between the inner and outer layers of a garment to improve shape retention, strength, warmth or bulk. Interlinings may be woven, knitted or nonwoven, and can be produced with fusible adhesive on one surface.
J
Jacquard fabric
A fabric woven on a jacquard loom, where the patterning mechanism allows individual control on any interlacing of up to several hundred warp threads or a rib-based, double jersey weft-knit structure which shows a figure or design in a different colour or texture. Jacquard fabrics are sub-divided into flat-jacquard and blister fabrics.
Jersey
General term used for any knitted fabric.
Jute
Natural vegetable bast fibre, the plant from which the bast jute fibre is obtained.
K
Kemp
Coarse fibres present in varying amounts in wool fleece. Usually white, black or brown and can be used to give decorative effects in some wool fabrics.
Knickerbocker yarn
Fancy yarn characterised by random flecks or spots of differently coloured fibres.
L
Lawn
Fine, plain weave fabric, traditionally of cotton on linen.
Linen
Natural vegetable bast fibre obtained from the flax plant.
Lambswool
Wool from the fleeces of lambs (young sheep up to the age of weaning).
Lamé
A general name for fabrics where metallic threads are a conspicuous feature.
M
Maquisette
Square-hole, warp knitted net.
Merino Wool
Wool from the merino sheep, which produces the shortest and finest wool fibres.
Mohair
Natural animal hair fibre from the angora or mohair goat.
Moiré
Fabric which shows a moiré or wavy watermark pattern. This is produced by calendaring, usually on a fabric showing a rib or cord effect in the weft direction. The moiré effect can be achieved by embossing with a roller engraved with a moiré pattern, or by feeding two layers of fabric face to face through the calendar. the effect may be permanent or temporary depending on the fibres and the chemicals used.
Moquette
Firm, woven warp-pile fabric where the pile yarns are lifted over wires, which may or may not have knives. Withdrawal of the wires will give a cut or an uncut pile. Used for upholstery, particularly on public transport vehicles.
Mousseline
General term for very fine, semi-opaque fabrics, finer than muslins, made of silk, wool or cotton.
Muslin
Lightweight, open, plain or simple leno weave fabric, usually made of cotton.
N
Narrow Fabric
Any fabric that does not exceed 45 cms in width (in the UK). In the USA and Europe, the accepted upper width is 30 cms. Ribbons, tapes, braids and narrow laces are included in this category.
Natural Fibre
A textile fibre occuring in nature, which is animal, vegetable or mineral in origin.
New wool
Fibre from a sheep or lamb that has not previously been used. Alternative name for virgin wool.
Nylon
Man made synthetic polymer fibre. Alternative name for polyamide.
O
Organdie
Lightweight, plain weave transparent fabric, with a permanently stiff finish.
Organza
A sheer, lighweight, plain weave fabric, with a relatively firm drape and handle, traditionally made from the continuous filament of silk yarns. Now often made using other fibres.
P
Polyester
Man made synthetic polymer fibre.
Pure Silk
Silk in which there is no metallic or other weighting of any kind, except that which is an essential part of dyeing.
R
Raw Silk
Continuous filaments containing no twist, drawn off or reeled from cocoons. The filaments are unbleached, undyed and not degummed.
S
Sateen
Woven structure where the maximum amount of weft shows on the face. The smooth effect is enhanced by using filament yarns and/or lustrous fibres.
Satin
Woven structure where the maximum amount of warp shows on the face. The smooth effect is enhanced by using filament yarns and/or lustrous fibres.
Silk
Natural animal protein fibre obtained from the cocoons produced by silkworms.
Silk Noil
Very short silk fibres extracted during silk combing that are too short for producing spun silk. These fibres are usually spun into silk-noil yarns.
Slub yarn
Fancy yarn characterised by areas of thicker, loosely twisted yarn alternating with thinner, harder twisted areas.
Spun silk
Staple fibre silk yarn produced from silk waster which has been largely degummed.
Synthetic
Describes a substance which has been manufactured by building up a complex structure from simpler chemical substances.
T
Taffeta
Plain weave, closely woven, smooth, crisp fabric with a slight weftways rib, originally made from continuous filament silk yarns. Now often made using other fibres.
Terry-Towelling
A woven warp-pile fabric where the loops are formed by applying a high tension to the ground warp and a very low tension to the pile warp. Beating-up does not occur on every pick, so that when a pick is beaten-up it causes the other picks to be moved into the main body of the cloth, at the same time forming the pile loops on the face and back of the cloth.
Thrown Silk
Yarn twisted from continuous filament silk.
V
Velour
Cut pile weft or warp knitted fabric.
Velvet
Cut warp-pile fabric, in which the cut fibrous ends of the yarns from the surface of the fabric. Many effects are possible, e.g. the pile may be left erect, or it may be laid in one direction during finishing to give a very high lustre.
Viscose
Man made natural polymer regenerated cellulose fibre.
Voile
Plain weave, semi-sheer, lightweight fabric made with fine, fairly highly twisted yarns. Originally made from cotton, now other fibres are sometimes used.
W
Wadding
Lofty sheet of fibres used for padding, stuffing or packing.
Wet spun
Describes man made filaments produced by wet spinning, where the dissolved polymer is converted into filaments by extrusion through the spinneret into a coagulating bath of chemicals, causing the filaments to solidify.
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Source Credit: R Haworth
Pinterest and Customer Interest : Interior Designers Pin their Boards to the Wall
Posted: 12 November, 2012 Filed under: home decor, interior, interior design, interior designer, interiordesign, interiors, modern homes, modern interiors, The Business Of Interior Design | Tags: Business and Economy, Design, interior design, interior designer, Pinterest, sales and marketing in interior design 23 Comments »Many Interior Designers have Pinterest accounts and quite a few of us use them. Here are my thoughts on whether or not interior designers should use Pinterest and HOW they should best use Pinterest.
<Here> for example is Paula Ovalle Vicuña’s beautiful pinboard of colors. Now, this and similar boards are great sources of imagery for colours for interior designers and of course there are other pins showing styles and colour themes and so on. If you had a board like this you could show your clients on your iPAD as part of your presentations.
BUT think carefully about how you are going to use this as a tool to win more business. How are your potential clients going to be driven to you and/or your web site. Why is your potential client going to be looking on pinterest for work by interior designers. They MIGHT be using it as a means of selecting designers but IMHO I doubt that many potential customers will be doing that – some, for sure, but not many.
Now, your competitors may be using it to get some inspiration. So you’ve done a bit of work to help your competitors. That’s all well and good as others will reciprocate and you will benefit from that potentially. But that hasn’t got you any more sales has it?
If you are going to use pinterest for collecting and presenting images then it may be great as a productivity tool.
You have the option with pinterest of creating secret/hidden boards – that may be a good way forwards for those of you conscious NOT to help out your competitors!
So you have to answer this question: “Do my clients hang out on Pinterest so making them more likely to find out about my interior design skills from my Pinterest account?”.
IF you can answer that question positively then read on…
Effective Pinterest Marketing
1. Fill-in the Form! Setup You Account Properly – Gets the Basics Sorted Out
Your name (first and last), username, logo, About, Location and Website information should all be properly included. PLEASE if you can make sure that, for example, you use the same name as you do across all media – printed and electronic. It’s good for your ‘branding’. Verify your website and put your blog address in your ‘About’ section.
2. Be a digital stalker! Follow People – You build a following, which looks good to potential new followers, if you follow people. They often reciprocate. It’s a bit like Twitter in that respect. Perhaps look for people or boards with certain of your keywords on them and then follow those people.
3. In the Digital World, Content is King! Get content. Regularly seek out and add new relevant content. To be truly amazing you will, of course, add your own original content. Content may be the king but creativity rules the Empire of Design.
More?
Create a board and use it (link to it) on facebook or twitter to invite your other followers to discuss it.
When you blog you always add at least one great image right? Well make a collection of those great images on pinterest. That way you save a little time by using one piece of content twice.
Focus on the right content. Think always about your target customer. Only post what they are going to be interested in.
Put a url in your comments on pins to link back to the original content (your blog), Ibelieve I am right in saying that this URL is made clickable by pinterest.
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Interior Designers – What Should I write About On My Blog
Posted: 9 November, 2012 Filed under: home decor, interior, interior design, interior designer, interiordesign, interiors, modern homes, modern interiors, The Business Of Interior Design | Tags: Brand awareness, designer interior, interior design, interior designer, sales and marketing in interior design, Target audience 33 Comments »English: JC Hryb, interior designer/owner of Style de Vie and Twenty Gauge, promotional photo (Photo credit: Wikipedia)
What can I write about?
Anything you want to of course. Although it is clearly best for you to write things that your target audience will be most interested in, the things that will make them come back to your blog again and again and again. In old marketing speak that raises your brand awareness (and the interest in it).
It’s also best to write the words that NEW potential clients are most likely to type into google.
However, I suspect that you have come to this post as you have run out of ideas. Don’t worry it happens to us all.
Use these tools to find alternative ways or approaches to subjects you have already written about:
- Ubersuggest
- Soovle
- Google Insights
- AdWords KW Tool
- Your own Analytics / Webmaster Tools Data
- Your brain, your creativity!
- A thesaurus
Start By Asking Ubersuggest and Soovle Questions
So try;
- can interior designers do…
- does an interior desinger need to…
- will an interior design project involve
- would an interior designer be better if he/she…
- how could an interior designer improve…
- why does an interior design project always…
- when does and interior design project usually…
- where does an interior designer buy…
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Who is the best interior designer in the world? in Europe?
Posted: 9 November, 2012 Filed under: contemporary interiors, Fabric Tips, home decor, interior, interior design, interior designer, interiordesign, interiors, Market Comment, modern homes, modern interiors, The Business Of Interior Design | Tags: Design, designer interior, ideas for designers, interior design, sales and marketing in interior design 28 Comments »Who is the best interior designer in the world? blimey that’s a question and a half.
I’m writing this post in wordpress and I use this thing called Zemanta which suggests images and articles to do with the subject as I compose the article. So the first designer that appears will get put in the picture on the right and that will be the person you are looking at now!
I’ll probably not know the person that is suggested (we’ll see it still hasn’t appeared yet!)
Ooops there she is: Tanya Gyani.Congratulations Tanya.
Now of course there probably really is no ‘best interior designer in the world’ that we can all agree on. But the point of my post was to go one of two ways. I was either going to come from the angle of saying that YOU should be the best interior designer in terms of how you market yourself to your target niches OR that whoever comes up and gets put in my picture is the best interior designer in the sense that they are the best at getting their image shown against a generic search for “the best interior designer in the world”.
Maybe Tanya will now go on to global fame? Who knows? If she does I certainly hope she will start specifying some of our fabrics on her projects as she hasn’t done so yet! (as far as I know).
No; really YOU should be positioning yourself as the best interior designer at what you do. But rather than saying you are “the best at XYZ” it is probably more appealing and more humble for you to phrase it as “I am the only Interior Designer In XXX who does YYY”. Use that sort of angle A LOT in your client communications (written or verbal) and you give your potential clients A REASON TO CHOOSE YOU and a REASON FOR YOU TO JUSTIFY YOUR PRICING. Make sure it’s true of course. For uniqueness is priceless (well almost!!)
Remember of course that it should not all be about price. Your client wants a great job most of all. Cost might be a factor but so also is the risk of who the client chooses. Find a way of exuding confidence and competence to lower that perceived risk.
Good luck you and good luck Tanya (there she even gets a link to her website).
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BS7176 BS5852 Crib 5 - A Guide
Inspiring Blog Award – Interior Design
Posted: 26 March, 2013 | Author: Nathalie Arrigone | Filed under: Companies, contemporary interiors, Environmental, Fabric Tips, home decor, interior, interior design, interior designer, interiordesign, interiors, Market Comment, modern homes, modern interiors, Uncategorized | 1 Comment »Interior Design 2013
A big thank you to Kiki for our nomination for the Inspiring Blog Award. It’s always great to know that we are reaching out to new generations of Interior Designers.
Following the rules of this award I have to tell you a little bit about myself.
1. Many years ago I danced with Brad Pitt. Well; I was in the same nightclub and I sort of manoeuvred myself into his general vicinity. That counts right?
2. One of my scariest moments is travelling at over 230kmh in a sports car. I wasn’t driving (luckily someone else was) and you will be relieved to know that we were on a race track.
3. I inadvertently inherited a collection of 1980s vinyl ‘LP’ covers. After years of sitting in a box I discovered that when framed then made a great art installation next to my work area at home.
4. The first paint I chose was for my own bedroom .Dark green. Hmmm.
5. I like people, dogs and cats. In that order.
6. Most interesting party venues: On a roof top in Manhattan and some bizarre, mostly uninhabited, island somewhere near Comodo that even now I can’t quite remember the name of.
7. Most stupid question, “Do you like chocolate?”
Inspirational Blogs (I’d like to nominate!): Here are some that I enjoy:
Pippa Jameson
Kelly Hoppen
The Style Files
Anne Sage
Design Geek
Apartment Therapy
Tevami
There are a few rules to accepting this blog award…
1. Display the award image on your blog page.
2. Link back to the person who nominated you and ‘like’ the post
3. State seven facts about yourself.
4. Nominate 15 other bloggers for the award.
5. Notify your bloggers of their nomination and link to their posts.
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