You can download this document by clicking on the pdf icon.

1. If you are sourcing furniture for your client then the vendor of the furniture needs to provide you with appropriate information to prove compliance.
2. If you are specifying fabric for furniture to be made up, then you need to ask the fabric supplier for the fabric’s compliance to the standards and/or arrange fire treatment.
3. You will need to ensure that you have specified the appropriate fabrics for the visible and non-visible parts of the furniture.
4. You will need to liaise with your upholsterer to ensure that any additional materials such as foam and fabric lining are adequate.

The cigarette and match tests fall under BS 5852. The test(s) involve the fabric being exposed to different ‘ignition sources’ essentially simulating possible real life causes of domestic fires. The ‘ignition sources’ are ways that the fabric could plausibly be burnt. There are 8 different sources/types of combustion but you only normally need to deal with sources 0, 1 and 5.
Source 0 = Cigarette (smouldering cigarette)
Source 1 = Match (simulated match)
Source 5 = Crib. (Wooden crib or Crib 5)

Source 5, or Crib 5 as it is frequently know as, is usually a contract standard for upholstery. In contract upholstery you might also come across BS 7176 which determines specific risk or hazard areas that your fabric is being installed into. In simple terms, BS 7176 covers all 3 of the above tests. Furthermore, whilst Crib 5 is the highest standard of the 3 tests it does not follow that a fabric which passes Crib 5 will also pass the cigarette and match test – even though it is likely to.

Exceptions, Mandates & Exemptions

• Fabric is exempted if it is 75% by weight of cotton, silk, viscose, wool i.e. 75% natural fibres. A FR inter-liner must also be used to keep the exemption.
• Furniture MUST IN ALL CASES pass the cigarette test. No exceptions.
• Cigarette Test will be undertaken using standard foam – this presents a worst-case scenario.
• For fabrics that do not inherently pass the required test then treatments are usually available, often where the back side of the fabric is coated with a fire resistant substance not affecting the look and feel of the fabric
• For already made-up furniture, we doubt that it is possible to treat it retrospectively to pass the tests. However it may be possible to prove that the fabrics that have already been used are in fact compliant.

More…

Share & Enjoy!

Some velvets are woven with a nap others are not. It is not a problem either way. If there is a nap you need to know which way it goes as that affects the process of upholstering. When you run your hand down the mohair velvet or silk velvet the smoothed direction indicates the direction of the nap. Remember this, it is important.

I’m assuming that you have already checked that the fabric is not damaged and that each piece is from the same dye lot.

The nap should be upholstered downwards for:

- the back;

- the seat; and

- side surfaces.

The nap should be upholstered from the outside inwards for:

- arm rests.

How do you flip your cushions? Top to bottom or left to right?

Most people flip from top to bottom. It is therefore standard upholstering practice to upholster the front and the back the opposite way. IE when they are flipped over the nap is the same.

You should use a layer of wadding between the foam and the fabric. The wadding can be either cotton or synthetic it does not really matter but check with any fire rating requirements. Again check that you are using the right kind of foam but HR foam or cold foam are both fine.

However if the pile is vertical then we advise the additional use of a cotton slip-cover.

Going back to the foam for a minute we advise that you use white wadding. In certain circumstances it is possible that grey wadding will ‘bleed’ causing marks on your beautiful Mohair Velvet. For example this may be caused from moisture used in the cleaning process.

Always use wadding on the arm rests as a protective layer to help eliminate ‘sharp’ edges. Using wadding on arm rests will thus reduce wear and tear considerably.

For the piping never use synthetic piping cord, always use cotton piping cord. As with the arm rests this will reduce wear and tear by eliminating the ‘sharper edges’.

Again to reduce wear and tear also use the length of the fabric to make the piping. this will look better as well.

Happy Upholstering

I will return later in another post to KOTHEA’s quite remarkable sales figures for the financial year just finished. Most surprising, especially considering we are in the midst of a recession. We had our best ever year and by quite a large margin.

We expect some coverage of the new collections in World of Interiors and Elle decoration but, again, more on that at another time.

Where can you see our collections? Well, we are as elusive as ever but we are starting to digitize some images to our flickr feed (click the images on the right or here). The flickr update is ongoing, there is information on flickr now but some of the images are not final and some images do not have full associated descriptions / product details but we are woking on that this week. Our usual clients will receive the new collections in due course starting in late summer; if you need them more urgently for pressing projects of course we will be happy to oblige. Please get in contact in the usual way.

Not all are in production yet but most sampling is available now.

As a very broad summary we have:

1. New colours of several existing ranges including faux leather;

2. More velvets including patterned and crush;

3. Striped, double width linens;

4. Upholstery weight linen; and

5. A few more interesting one-off designs in limited colourways like the one heading up this blog post.

Share, Accredit & Enjoy!

You have probably been referred to the Martindale Rub test by someone looking to know how durable your chosen fabric is to abrasion. the Martindale rub test result is particularly useful in indicating if your chosen fabric is suitable for the intended use. An indispensible indicator for interior designers.

The Shade Change is something different. Martindale tests are routinely undertaken on fabrics especially in the UK. In other countries there are different tests like the Wyzenbeek in the USA. However it is becoming more common in the UK that as part of the Martindale test a Shade Change test is also undertaken.

When a fabric has been ‘rubbed’ by a machine 3,000 times the Martindale test is paused and the fabric is examined to see how the shade of the fabric has changed. It is then given a mark out of 5 with 5 being the best result (least change).

A natural property of fabrics is that they wear with use. I guess one way of looking at the shade change test is to determine how much of that wear will be visible after a reasonable amount of use. With 3,000 rubs being classed as reasonable. It does not mean that your fabric will wear out after 3000 rubs, it has nothing to do with wearing out!

If your fabric has a Martindale result of 50,000 rubs this means that the structure of the fabric starts to break down after 50,000 rubs. Essentially the ‘rubs’ simulate to varying degrees how people will sit down repeatedly.

Probably not.

Sometimes the tests can be carried out differently and so the results are different. There is a British Standard for abrasion testing which specifies how the test is done, if it is done in a different way then that may affect the result.

For example if we ‘know’ that a fabric is going to achieve about 35,000 Martindale ‘rubs’ then we would ask the testing company to test to 40,000 or if we were uncertain of the likely result we would ask them to test to end-point.

It is usual practice for the fabric to be rubbed in increments of 3,000 or so at a time. Clearly it is easier if a machine is left to run for 30,000 rather than 3,000 and then reset 10 times. Also the ‘correct’ (latter) way will give an accurate result of exactly when the fabric wears out.

I’m not sure why this is done not having read the British Standard myself in detail; maybe the fabric tension on the machine is meant to be checked every 3,000 rubs?

Anyway, if the test is not done properly then a LOWER result will be obtained.

So, providing a reputable testing house that is properly accredited has undertaken the test then it is safe to assume that the result is accurate. Of course the fabric piece that you buy may vary ever so slightly and this might cause minor variations. But that is the nature of some fabrics. A fault in the fabric may also cause it to wear out much quicker than expected but that fault should normally have been spotted by your upholsterer before they used it.

For contract upholstery fabric in the UK your fabric needs to be treated to pass BS 5852 Part 2: 1990: Source 5 (Crib 5). So when you are getting a fabric treated you should ask for it to be treated to that standard. As a designer that is all you should normally have to do.

Now, you have to get the treatment undertaken at a UKAS accredited company. That means they will do it properly. There are a variety of ways of treating fabrics to meet the standard. You don’t need to know them all, that is the job of the treatment house. Just tell them what standard it needs to achieve AND that you will be getting it tested independently afterwards (that encourages them to do it properly). For safety also say that the fabric will be subject to a watersoak (more of that in a minute).

The reason for doing this is that some older treatment methods are ‘legal’ within the BS but they can fail the test. This is because the treatments can contain phosphorous based chemicals that wash out. And the problem with that is that, if a fabric is not inherently fire retardant, then part of the test will involve it being soaked in water. Hence all the hard work put into the treatment is washed away and the test may well be failed.

Some treatment houses do not have some of the more expensive machinery required to undertake some of the treatments. Many just immerse in a fire retardant bath of chemicals.

As part of the treatment some treatment companies will also carry out an indicative test. You should get a certificate to confirm this after treatment. This means that essentially your fabric should pass the crib test. But the crib test itself has not been carried out as that takes a while.

You probably need to check with your client if they are happy with this indicative test or if they want to pay the extra to have the full crib 5 test done with the time delays that involves.

It’s a fire regulation. You have to do this properly and take it seriously, you would be surprised that several companies do not and the repercussions of not doing it are great indeed.

In summary then and as a minimum you should:

1. Ensure you are dealing with a UKAS accredited treatment company.

2. Say “Please treat this fabric to pass BS 5852 Part 2: 1990: Source 5 (Crib 5)”

3. Say “It will be watersoaked and tested afterwards.

4. Say “Please perform an indicative test at the end of the treatment and give me a certificate of treatment”

Simple enough?

Well, actually no. What I have said above stands as generally true. Most of the UK fabric companies and designers work with Crib 5. However there is a slightly higher level of testing and certification called BS7176:1995. Strictly speaking I would say that everyone should use this standard…but they don’t.

When would you use this? When a bit more certainty is required. The BS7176:1995 test includes the Crib 5 test and also a cigarette and match test and also a watersoak. When specifying the test you would need to say how the fabric will be used e.g. in a hotel, in a prison, in a restaurant, in a hospital, offshore installation, and so on. These types of end-usage environments determine the HAZARD CATEGORY of the test that is undertaken. Additionally you will need to specify the EXACT foam that will be used in the installation, so the test will mimic the final end-use environment as much as possible.

So do you ask for your fabric to be treated to BS7176:1995 Medium Hazard? Well you can, it won’t hurt. But the treatment will be the same as for Crib 5. Some of the UK fabric treatments houses that we spoke to have not heard of this British Standard, which was surprising.

So really it is ‘simple enough’ as far as the treatment goes. Treat to Crib 5.

Testing is more complicated. Essentially you are getting the fabric tested to ensure it will work in a specific situation as we’ve already said the treatment is the same as for Crib 5.  If you are in a complex environment you should get an expert involved. My understanding also is that if you are planning to sell furniture to the contract market then achieving a BS7176 pass will allow you to label your product as being suitable for certain environments.

Interior Designers are often interested in the properties and manufacture of velvet – the two being necessarily related. The depth of the pile, the durability of the finish, the ease of maintaining the beautiful finish.

Velvet is made in one of two ways – cut or uncut:

1. Cut pile

a. Here the loom is configured to have two fabric cloths being woven on face-to-face, one on the other. The pile is woven from one into the other. The cloths would be bound together were it not for a moving knife that travels between the two.

b. Wire loom

Here the yarn is looped over a wire above a single cloth. A knife cuts the top of the loop as the wire is withdrawn.

2. Uncut pile

Very similar to the wire loom except the yarn is NOT cut as the wire is withdrawn. This method gives the fabric even more depth and interest.

Dyeing & Finishing

Velvet is often woven in ‘greige’ in longish lengths of 200m or more. A further stage is added whereby individual pieces are cut and coloured to precise colour formulae. KOTHEA use this way to be quickly able to turn around orders for bespoke colours from stock of the greige. Precise chemical dye mixes ensure good replication of colours for re-stocking.

After colouration the fabric is finished. This involves tumbling and brushing and a backing applied.

Different types of pile effects: If the yarns are finished upright then the effect is called, funnily enough, upright pile. Alternatively a panne pile is one which is flattened so that the pile is laid in one direction.

Often you will hear of Mohair Velvet. Mohair is just one of the kinds of yarns that could be used. It could equally be linen or cotton or a cashmere and silk mix.

KOFAUXLEATHER

Reference: 04-003-378

Colour Shown: Marle

Other colourways: 18

Width: 140cm

Repeat: none

Composition: 100% Cotton basecloth, 94% vinyl 6% polyester coat.

Martindale: 100,000++

Primary Usage: Heavy contract upholstery and walling.

Type of fabric: Faux Leather / Faux Skin

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

# # #

For Further Information

Please visit the company web site at http://www.kothea.com

Trademarks

KOTHEA is a registered trade mark of KOTHEA Limited. Other names may be trademarks of their respective owners.
KOTHEA Ltd (registered in England, Company No. 3826388. VAT Registered No. 740 3262 65)

Reference: 01-009-410

Colour Shown: Natural

Other colourways: 1

Width: 138cm

Repeat: none

Composition: 73% Cotton, 27% Viscose

Primary Usage: Panelling and upholstery, contract & domestic.

Martindale: 14,000 Rubs

Type of fabric: Rafia/Textured Weave

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

# # #

For Further Information

Please visit the company web site at http://www.kothea.com

Trademarks

KOTHEA is a registered trade mark of KOTHEA Limited. Other names may be trademarks of their respective owners.

Try searching for particular technical characteristics like ‘Martindale’ or ‘ the specific type of product like ‘Mohair’ or ‘upholstery fabric’ or ‘textured upholstery’ .

Alternatively ask a question by commenting on this page and it will be answered.

Try searching for particular technical characteristics like ‘Martindale’ or ‘ the specific type of product like ‘Mohair’ or ‘upholstery fabric’ or ‘textured upholstery’ .

Alternatively ask a question by commenting on this page and it will be answered.

A Martindale of at least 30,000 would be the minimum specification. The higher the level of expected usage the higher the specification required.

The Martindale rub test (covered extensively, elsewhere on this site) is an abrasion test. Essentially is mimics sofas being sat on a lot.

Any fabric can be put through the test procedure.

Sheer fabrics are used for curtains and blinds.

So the answer is “No”. Only because sheer fabrics are not used on sofas.

For sheer fabrics or for contract curtains then the most important test is for flame retardancy/flammability.

LONDON, England. 06-JULY-2009 11.30 AM: KOTHEA today announced it has expanded its extensive upholstery fabric collection by the addition of KOCAFELATTE. KOCAFELATTE is a somewhat quirky and hard wearing fabric with an unusual, fine patterned design. It is a striking fabric with a high Martindale result, achieved whilst maintaining the highest levels of exclusive design. It is well suited for a range of uses but targeted towards upholstery and cushions in either domestic or contract installations.

KOCAFELATTE Reference: 02-002-415 Colour Shown: Champagne Other colourways: 3 Width: 135cm Repeat: V9 – H9cm Composition: 100% Viscose Martindale: 40,000 ‘rubs’ Primary Usage: General upholstery or window treatments, contract & domestic. Type of fabric: Textured Weave

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

# # #

For Further Information

Please visit the company web site at http://www.kothea.com

Trademarks

KOTHEA is a registered trade mark of KOTHEA Limited. Other names may be trademarks of their respective owners.

Both Wyzenbeek and Martindale are abrasion or rub tests. They are however different tests which test different properties and success in one test does not infer success in the other. Wyzenbeek involves rubbing along the warp and weft of the fabric whereas Martindale is a figure-8 rub.

In more detail then:

Heavy Duty
30,000 double rubs Wyzenbeek method

40,000 cycles Martindale method

End use examples of heavy-duty installations where upholstery fabrics rated at 30,000 double rubs should be appropriate are single shift corporate, hotel rooms/suites, conference rooms and dining area usage.

There are extreme wear situations that may require higher levels of abrasion resistance. End use examples that may require higher than 30,000 double rubs include: 24 hours transportation terminals, 24 hour telemarketing, 24 hour healthcare emergency rooms, 24 hour casino gambling areas, and such public gathering places as theatres, stadiums, lecture halls and fast food restaurants.

It is strongly suggested that double rubs exceeding 100,000 are not meaningful in providing additional value in use. Higher abrasion resistance does not necessarily indicate a significant extension of the service life of the fabric.

The Wyzenbeek and Martindale tests are the two methods commonly used to predict wear-ability. Actual performance is determined by many factors such as fiber content, weaves, finishes, furniture design, maintenance, cleaning, and usage. Durability of an upholstery fabric is a complex interaction (combination) of a number of performance tests that, in addition to abrasion, includes seam slippage, pilling, tensile strength, and usage.

There is no correlation between the Wyzenbeek and Martindale tests so it is not possible to estimate the number of cycles that would be achieved on one test if the results from the other test were known.

TEST METHODS
A Wyzenbeek machine is used for this test allowing sample of the test fabric to be pulled tight in a frame and help stationary. Individual test specimens cut from the warp and weft direction are then rubbed back and forth using an approved fabric as the abradant. The number of double rub cycles achieved before two yarn breaks occur or noticeable wear is observed is recorded as the fabric’s abrasion rating.

Martindale
This is an oscillating test. Fabric samples are mounted flat and rubbed in a figure eight like motion using a piece of worsted wool cloth as the abradant. The number of cycles that the fabric can endure before fabric shows objectionable change in appearance (yarn breaks, pilling, holes) is counted. Number of cycles determines abrasion rating.

Infering one result from another:

Despite what you will read on other web sites including the sites of some of the best known fabric houses in the world you simply cannot infer a Wyzenbeek score from a Martindale score or vice versa. However as said earlier for Heavy Duty usage you might specify: 30,000 double rubs Wyzenbeek method OR 40,000 cycles Martindale method. So in that sense you can say that for a certain level of usage the Martindale result needs to be 33% higher than the Wyzenbeek. But you CANNOT say that if a fabric scores 100,000 Wyzenbeek then there is no point in undertaking a Martindale test as you “know” its result would be 133,333 – that would simply be wrong; the Martindale could be higher or lower, you have to test it.

If this post does supply you with enough information please comment below or email us and we will expand it.

Most fabrics undergo the Martindale Test to check their durability and suitability for various uses, i.e, curtains, domestic furniture, contract furniture. The test is also known as the Rub Test and it tests for abrasion. The test gives a score in 1000′s of rubs. Domestic fabrics often have a rating of 20,000 rubs. Generally, the higher the figure the more suitable the fabric for heavy usage. For example some KOTHEA velvets have scores of over 100,000 making them usable for heavy contract scenarios in hotels.

You also might want to look <here> for details on the related Wyzenbeek test. Wyzenbeek is another (but different) kind of abrasion/rub test.

The technical details of the Martindale test are shown below but this information is not normally required to be known by an interior designer:

A circular specimen, mounted in a specimen holder and subjected to a defined load, is rubbed against an abrasive medium (standard wool fabric) in a translational movement tracing a Lissajous figure, the specimen holder being additionally freely rotatable around its own axis perpendicular to the plane of the specimen. The normal end point of the test is when two threads are broken or in the case of pile fabrics when the pile has completely worn off. The inspection interval is dependent on the end point of the fabric and is usually every 1,000 up to 5,000 rubs, every 2,000 between 5,000 & 20,000 every 5,000 between 20,000 & 40,000 and every 10,000 above 40,000

A. Yes

Our 100% linen velvet has a Martindale of 20,000 ‘rubs’.  So this is certainly suitable for domestic upholstery and also for light contract. As with all velvets a proper care regime should be in place to prolong the life of the fabric. Also check the Martindale figures of the specific fabric you intend to use as that test result is the most useful indication of suitability for upholstery.

Essentially you need to look at the Martindale or Rub Test result for the specific fabric in question. Two silk velvets can be quite different.

As with all velvets a proper cleaning regime is important to extend the life of the fabric.

One of KOTHEA’s silk velvets has a rub test/Martindale of 25,000. This is more than adequate for general upholstery.

There’s probably a little confusion here as wool and mohair both refer to animal hair. Technically mohair is wool; as wool encompasses animal hair from the Caprinae family (ie sheep, goats, llamas and rabbits). Assuming that the question means sheep wool then both could be woven together of course. But then the suitability of those fibres for upholstery really depends on how they are woven.

So neither wool nor mohair in themselves are always suitable for upholstery. It depends on how they are woven. To properly assess any fabrics suitability for upholstery you need to look at the fabrics rub test and its ability to be fire treated.

Pure natural fibres (sheep wool and mohair) are normally exempt from the match test for upholstery but still need to pass the cigarette test (please look elsewhere on this blog for information – or for definitive information look at www.textilesfr.co.uk).the fabric may or may no require treating, you will have to check.

Mohair can have a Martindale/rub test of over 100,000 (e.g. our Mohair Velvet) and so can be suitable for contract upholstery. Whereas one of our 100% sheep wool fabrics has a martindale of 23,000 again making it suitable for upholstery.

So really its probably best to find the Mohair/Wool fabric you like and then find out if that particular one is suitable for upholstery.

More of an explanation about velvet is given here – essentially ‘velvet’ is the finish arrived at by a specific production process. That process can be applied to many fibres. Mohair usually refers to a silk-like fabric or yarn made from the hair of the Angora goat and cotton is a natural fibre that grows from the cotton plant.

LONDON, England. 04-MAY-2009 11.30 AM: KOTHEA today announced it has expanded its product range by the addition of KOTWIG. KOTWIG has an off-the-wall textured design. It has a high Martindale score which is unusually achieved without incorporating polyester. It is highly suitable for a wide range of uses including heavy upholstery and wall treatments in either domestic or contract installations.

Flickr Image Of KOTWIG

Full information can be found <here>.

KOTWIG

Reference: 14-002-436

Colour Shown: Brown – Light Brown

Other colourways: 20

Width: 145cm

Repeat: None

Composition: 43% Linen, 36% Viscose, 21% Cotton.

Martindale: 40,000 ‘rubs’

Primary Usage: General upholstery or wall treatments, contract & domestic.

Type of fabric: Textured Weave

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

LONDON, England. 06-APR-2009 11.30 AM: KOTHEA today announced it has expanded its product range by the addition of KOCOSMIC. KOCOSMIC is a little bit quirky; like a faux skin without trying too hard to mimic nature. It has high rubs and is suitable for a wide range of uses including heavy upholstery and wall treatments in either domestic or contract installations.

KOCOSMIC

Reference: 03-004-378
Colour Shown: 3 Silver
Other Colourways: 19
Width: 140cm
Repeat: None
Composition: 100% Cotton base cloth, 95% Vinyl 5%, Polyurethane outer.
Martindale: BS5690 100,000
Primary Usage: Heavy upholstery, wall treatments, contract & domestic.
Type of fabric: Vinyl
Other: Passes BS5852 Schedule 4 Part 1 Cigarette Test, Schedule 5 Part 1 Match Test and Crib 5.

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

# # #

For Further Information
Please visit the company web site at http://www.kothea.com

Trademarks
KOTHEA is a registered trade mark of KOTHEA Limited. Other names may be trademarks of their respective owners.

Share & Enjoy

LONDON, England. 02-MAR-2009 11.30 AM: KOTHEA today announced it has expanded its product range by the addition of KODEKOBA, a fabric suitable for domestic upholstery. KODEKOBA has an unusual weave and texture. The striking weave makes the fabric highly suited for high visibility areas.

KODEKOBA

Reference: 02-001-386
Colour Shown: Light Brown
Other colourways: 3
Width: 140cm
Repeat: None
Composition: 55% Cotton, 26% Viscose, 9% Polyester.
Martindale: 18,000 ‘rubs’
Primary Usage: Residential upholstery & Cushions.
Type of fabric: Textured Weave

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.
 
KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

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For Further Information
Please visit the company web site at http://www.kothea.com

Trademarks
KOTHEA is a registered trade mark of KOTHEA Limited. Other names may be trademarks of their respective owners.

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1. Domestic

a. Curtains – No treatment is required.
b. Upholstery – The fabric must be treated to reach the match test (BS5852: Part1: 1979: Source 1).
The designer must first check the fabric passes the cigarette test (BS5852: Part1: 1979: Source 0).

Note:
The cigarette test meets the equivalent European standard BS EN 1021-1.
The match test meets the equivalent European standard BS EN 1021-2.
Fabrics containing 75% mixed-natural or natural fibre content do not usually require treating as they normally pass ‘the cigarette test’. You must use a Schedule 3 interliner (fire retardant to CRiB 5) though.

2. Contract

a. Curtains – The fabric must be treated to BS5867: Part 2: Type B.
Some fabrics meet this standard naturally, most do not. Some fabrics cannot be treated for this standard.
b. Upholstery – The fabric must be treated to BS5852: 1990: Source 5 (CRiB 5).
This involves the fabric being back coated and most fabrics can be treated in this way.

Note:
BS7176 covers BS5852: 1990. And BS5852: 1990 covers BS5852: Part 1: 1979 and BS 5852: Part 2: 1982. So the info above in 2b is correct. This treatment meets European standards.

3. Other Uses
Head boards, bed covers, wall coverings, yachting and aviation may have differing requirements.

There is a broad equivalence of British and European standards. However the standards for the USA are different to Europe.

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KOTHEA introduces KOCHENCAT, a versatile and extravagant fabric delivering understated excellence for designers in the yacht, spa and boutique hotel markets.

An extensive colour palette covering 27 colours gives colour options for every interior. Gold, lime, charcoal, taupe and ivory complement all discerning schemes and the luxurious feel of a fabric mixed with chenille and cotton delights all the senses.

Combine beauty with practicality and you get KOCHENCAT. This versatile, textured weave is suitable for demanding environments; it has the superb durability demonstrated by high Martindale ‘rub’ characteristics and can be further treated to resist the demands of water and heat – as is always expected in the yacht and hospitality industries. It is equally at home as upholstery, as panelling or as curtain material.

Versatility, beauty, dependability: KOCHENCAT.

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A Summary Is Given Below

LONDON, England. 01-FEB-2009 12.30 AM: KOTHEA today announced it has expanded its product range by the addition of KOCHENCAT, an upholstery, panelling and curtain fabric suitable for both contract and residential usage.

Name: KOCHENCAT
Reference: 19-002-431
Colour Shown: Red
Total Colourways: 27
Width: 140cm
Martindale: 50,000 ‘rubs’.
Usage: Curtains. Upholstery. Panelling.
Type of fabric:  Textured Weave.
Composition: 49% Cotton. 31% Polyester. 20% Chenille.

Essentially the fabric’s life is increased with better durability and resilience. The handling characteristics of the fabric can be improved; and knit backing also helps prevent seam slippage.

The same principle applies for the fabric whether or not it is to be used for either upholstery or wall covering. There will certainly be other requirements for contract usage, say, in hotels and aviation and also other treatments like fire retardancy or stain protection would be required for contract upholstery.

Posted in Product Comments Tagged: chenille, contract fabric, contract fabrics, knit back, silk, silk damask, silk fabrics, silk velvet, silk velvets, silks, textured upholstery fabric, upholstry fabric, velvet ]]> http://blog.kothea.com/2009/01/05/knit-back-fabric-backing/feed/ 1 KOTHEA - Passionate About Fabrics For Top Designers http://blog.kothea.com/2009/01/02/fabric-treatment-companies/ http://blog.kothea.com/2009/01/02/fabric-treatment-companies/#comments Fri, 02 Jan 2009 21:35:19 +0000 KOTHEA - Passionate About Fabrics For Top Designers http://kothea.wordpress.com/?p=34 ]]> We are often asked to recommend farbic treatment companies for flame retarding in contract installations. Most treatment comapanies offer other services such as; back coating fabric for walls, and stain resistance/repellency. There are several such companies in the UK and at various times we have used all of the following:

Essex Flameproofing,

Textiles FR, and

TEK Treatments

Just click the company name to take you to their web site. Please feel free to add comments to this posting recommending any suppliers you have used but any negative comments about other comapnies are not permitted on this site. Thank you.